Review of The Unbearable Lightness of Being (1988) by Pauline Kael for The New Yorker — 08 Nov 1997
It's a rich, ambitious film, repetitive and voyeuristic in its eroticism, but exhilarating in its blend of documentary and fictional recreation to depict the Soviet invasion.
You can read the full review where it was originally posted online.
This review of The Unbearable Lightness of Being (1988) was written by Pauline Kael and published by The New Yorker on 08 Nov 1997.
The Unbearable Lightness of Being has generally received positive reviews.
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