Review of The Survivor (2022) by Ben Kenigsberg for The New York Times — 27 Apr 2022
While Levinson is not working from his own history as in “Diner” or “Avalon,” The Survivor, partly because of its subject matter and postwar milieu, feels of a piece with those overtly personal films. Whatever its flaws, it’s powerful.
You can read the full review where it was originally posted online.
This review of The Survivor (2022) was written by Ben Kenigsberg and published by The New York Times on 27 Apr 2022.
The Survivor has generally received positive reviews.
Was this review helpful?
Yes
No
