Review of The Story of a Three-Day Pass (1968) by Richard Brody for The New Yorker — 11 Dec 1997
It’s among the great American films of the sixties—including Juleen Compton’s Stranded and Jim McBride’s David Holzman’s Diary—that display the global reach of that Paris-centered movement.
You can read the full review where it was originally posted online.
This review of The Story of a Three-Day Pass (1968) was written by Richard Brody and published by The New Yorker on 11 Dec 1997.
The Story of a Three-Day Pass has generally received positive reviews.
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