Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It's not until this foursome is forced to look for an additional guitar player after Jin's dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R'n'R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band's true hero.
Rockers has generally received positive reviews.
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Review of Rockers (2003)
By Private U (13,627) on 25 Jan 2009
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Review of Rockers (2003)
By Bruce Mccabe (78) for Boston Globe (6,852) on 26 Apr 2018
Review of Rockers (2003)
By Ted Shen (33) for Chicago Reader (7,190) on 27 Jul 2002
Review of Rockers (2003)
By Wesley Morris (1,967) for San Francisco Examiner (1,621) on 01 Jan 2000
Review of Rockers (2003)
By Paul B (2,474) on 28 Jun 2008
Review of Rockers (2003)
Review of Rockers (2003)
Review of Rockers (2003)
By David D (2,198) on 27 Jan 2007
Review of Rockers (2003)
Review of Rockers (2003)
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More About This Page
Rockers was released in 2003 and has generally received positive reviews.
Online reviewers have written 72 reviews, giving Rockers (2003) an average rating of 74%.
Overall, cinema-goers much prefer the movie, giving it an average score of 92%, compared to film critics, who gave it a considerably lower average score of 47%. Amateur reviewers enjoyed Rockers a lot more than professional critics.
With a score of 74%, Rockers is above the average Cinafilm score for movies made in 2003, which stands at 60%.
Other movies from 2003 with similar scores include films like The Last Samurai, The School of Rock and Infernal Affairs II.
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