Review of The Shape of Water (2017) by Sean L — 12 Feb 2018

In this unusual mesh of fantasy, romance and science fiction, a mute woman working as a lab custodian in the late 60s falls for an abused, captive sea monster. The film dons many hats, several at the same time, which distract and compete for attention: that central relationship, the military's plans for the creature, a neighbor's quest to reclaim his job with an ad agency, a coworker's marriage, a supervisor's frustrated home life.

Each adds a layer to the onion skin, and color to the world, but ultimately they feel like light diversions from the main course. On a technical level, it's exceptional. Guillermo del Toro's work has never been short on conceptual know-how, and The Shape of Water merely continues his habit of one-upping the preceding film.

The beast itself, heavily influenced by The Creature from the Black Lagoon with a hint or two of Abe Sapien from del Toro's Hellboy, looks fantastic. Lifelike and expressive, it's easy to buy into as a thinking, feeling participant in the story.

Sally Hawkins is wonderful as the human lead, drawing inspiration from dozens of classic silent films in her flourishing role as a mousey, passionate, eloquent young woman. Set designs, too, are distinct and remarkable, from the slimy, clinical confines of the military science lab to her crusty, crumbling apartment just above an active movie theater.

The plot drags, though, and more than once edges awfully close to cliche. I enjoyed it, particularly on a thematic level, but I wish it was about twenty minutes shorter.