Review of The Rider (2018) by K. Austin Collins for Vanity Fair — 16 Apr 2018
Despite its pure beauty, in other words, there’s no mistaking The Rider for a simple, crowd-pleasing pick-me-up. The movie is soulful, elegant, filmed as often as not at the magic hour, when the sky is as broad as it is orange-yellow, and every nook of the world seems alight with possibility.
It is hardly, on its surface, an outright downer. But it’s unmistakably a movie about loss.
You can read the full review where it was originally posted online.
This review of The Rider (2018) was written by K. Austin Collins and published by Vanity Fair on 16 Apr 2018.
The Rider has generally received very positive reviews.
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