Review of The Producers (1968) by Rob Nelson for City Pages, Minneapolis/St. Paul — 20 Aug 2009
Like The Producers itself, Springtime for Hitler, with its Busby Berkeley-meets-Leni Riefenstahl choreography and creatively crude lyrics, ends up proving that bad taste can be irresistible.
You can read the full review where it was originally posted online.
This review of The Producers (1968) was written by Rob Nelson and published by City Pages, Minneapolis/St. Paul on 20 Aug 2009.
The Producers has generally received very positive reviews.
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