Review of The Possession (2012) by J. Hoberman for Tablet — 15 Aug 2017
By objectifying Jews as exotic others rather than presenting them as subjects, the Raimi production eliminates the precise element that would have been most powerful for a Jewish audience.
You can read the full review where it was originally posted online.
This review of The Possession (2012) was written by J. Hoberman and published by Tablet on 15 Aug 2017.
The Possession has generally received mixed reviews.
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