Review of The Piano (1993) by Anthony Lane for The New Yorker — 09 Nov 2014
The Piano confirms Campion as a major talent, an uncompromising filmmaker with a very personal and specific vision.
You can read the full review where it was originally posted online.
This review of The Piano (1993) was written by Anthony Lane and published by The New Yorker on 09 Nov 2014.
The Piano has generally received very positive reviews.
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