Review of The Phantom of the Opera (2004) by Phillip Kennicott for Washington Post — 16 Nov 2017
It's gorgeous nonsense to look at, and in director Joel Schumacher's hands, "Phantom" emerges as one of those queer works of art that actually improve somehow as they get tackier and more removed from the original.
You can read the full review where it was originally posted online.
This review of The Phantom of the Opera (2004) was written by Phillip Kennicott and published by Washington Post on 16 Nov 2017.
The Phantom of the Opera has generally received positive reviews.
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