The Outfit (2022) - Movie Reviews - Page 2 of 4

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Review of The Outfit (2022)

By Bobby Lepire (183) for Film Threat (5,156) on 28 Mar 2022

Moore’s outstanding direction (seriously, how is this his first feature-length effort…

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Review of The Outfit (2022)

By Tjdfilms (1) on 28 Mar 2022

Correction of Gina K's review: A beautifully acted, claustrophobic film set entirely in a tailor’s shop on Savile Row in London during a…

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Review of The Outfit (2022)

By Markhreviews (102) on 25 Mar 2022

“The Outfit” is a film that’s easy to underestimate…

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Review of The Outfit (2022)

By Marcd2K (1) on 25 Mar 2022

Just watched The Outfit, and my wife and I agree on a 7 out of 10 rating…

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Review of The Outfit (2022)

By Jluis_001 (2,242) on 22 Mar 2022

It's usually difficult to catalogue what kind of pretensions a film might have at the outset, but I could easily tell The Outfit was a story…

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Review of The Outfit (2022)

By Emily Zemler (55) for Observer (1,042) on 21 Mar 2022

It’s a movie that relies on the sort of nuance Rylance has mastered, and he unfolds the layers of his character, Leonard, with the same precision…

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Review of The Outfit (2022)

By Jesse Hassenger (800) for Paste Magazine (2,906) on 21 Mar 2022

With its crisply likable leads mixing it up with pleasingly chewy gangster stereotypes, it has the consistency of a good candy bar…

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Review of The Outfit (2022)

By Anthony Lane (1,079) for The New Yorker (1,837) on 21 Mar 2022

What Moore’s film strives toward, and touches only erratically, is an emotional claustrophobia to match its physical squeeze…

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Review of The Outfit (2022)

By Actualgood (1) on 21 Mar 2022

This movie doesn't disappoint if you find yourself trying to think about all the plot twists. I recommend you watch it…

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Review of The Outfit (2022)

By Ginak (385) on 21 Mar 2022

A beautifully acted, claustrophobic film set entirely in a tailor’s shop on Savile Row in London during a single menacing afternoon…

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Review of The Outfit (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 20 Mar 2022

One of the pleasures of a film like this is the knowledge that a new fold is always coming…

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Review of The Outfit (2022)

By Mattyice34 (99) on 19 Mar 2022

Solid gangster pic. Feels like a play adaptation. Go in with low expectations and you should enjoy yourself…

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Review of The Outfit (2022)

By Tomris Laffly (460) for RogerEbert.com (5,563) on 18 Mar 2022

Movies rarely come as chic as The Outfit, a thrifty, continually unpredictable whodunit, fashioned with the same meticulousness found in the…

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Review of The Outfit (2022)

By Ferdosa Abdi (130) for Screen Rant (892) on 18 Mar 2022

The Outfit is an old-fashioned and masterfully crafted crime thriller that makes good use of its setting, charismatic cast and an excellent lead…

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Review of The Outfit (2022)

By Stephanie Zacharek (2,333) for Time (1,811) on 18 Mar 2022

At the center of this clever pinwheel of a story—Moore co-wrote the script with Johnathan McClain—is Rylance, whose economy of motion and…

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Review of The Outfit (2022)

By Tvjerry (1,783) on 18 Mar 2022

Mark Rylance gives another enthralling performance as a quietly reserved English tailor transplanted to 50s Chicago…

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Review of The Outfit (2022)

By Klebart (55) on 18 Mar 2022

Well acted. The studio picked the right actor to lead this one. The story is Indiana Jones like (if you understand that reference)…

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Review of The Outfit (2022)

By Lauren J. Coates (21) for The Playlist (3,871) on 17 Mar 2022

Even with a relative lack of action, and a confusing attitude towards introducing and removing characters from the narrative in rapid succession,…

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Review of The Outfit (2022)

By Moira Macdonald (1,892) for The Seattle Times (964) on 17 Mar 2022

Rylance (“Bridge of Spies”) anchors it all, creating a character with unexpected layers, like a suit with an elegant silk lining you didn’t…

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Review of The Outfit (2022)

By Katie Walsh (1,279) for Los Angeles Times (12,977) on 17 Mar 2022

They don’t often make them like this anymore, a story cut, folded and stitched together with care…

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