Review of The Missing Picture (2013) by Nick Mccarthy for Slant Magazine — 25 Sep 2013
Paramount to molding a narrative of war and totalitarianism, however, is the inventive aesthetic in which Panh frames his memoir: a hypnotic hybrid of bleak archival footage, thoughtful voiceover, tone-dictating music, and—most significantly—homemade clay-figurine dioramas.
You can read the full review where it was originally posted online.
This review of The Missing Picture (2013) was written by Nick Mccarthy and published by Slant Magazine on 25 Sep 2013.
The Missing Picture has generally received very positive reviews.
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