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Last updated: 19 Jul 2026 at 23:38 UTC

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Review of by Stephen Holden for The New York Times — 27 Oct 2009

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Because The Matador sustains a tone of screwball insouciance and keeps its trump card hidden up its sleeve, it must be counted as a well-made comic thriller. That doesn't mean it has any depth, credibility or artistic value beyond its capacity to divert.

You can read the full review where it was originally posted online.

This review of The Matador (2005) was written by and published by The New York Times on 27 Oct 2009.

The Matador has generally received positive reviews.

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