Review of The Lost Daughter (2021) by Richard Brody for The New Yorker — 03 Jan 2022
It’s a movie that, in adapting a novel by Ferrante, indicates the grievous lack in the current cinema of dramas that do what is done all the time in literary fiction: consider women’s lives in intimate detail and in the light of wide-ranging, deep-rooted experience.
You can read the full review where it was originally posted online.
This review of The Lost Daughter (2021) was written by Richard Brody and published by The New Yorker on 03 Jan 2022.
The Lost Daughter has generally received positive reviews.
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