Review of The Long Goodbye (1973) by Judith Crist for New York Magazine (Vulture) — 19 Oct 1997
Altman gracefully kisses off the private-eye form in soft, mellow color and volatile images; the cinematographer Vilmos Zsigmond is responsible for the offhand visual pyrotechnics (the imagery has great vitality).
Gould gives a loose and woolly, strikingly original performance.
You can read the full review where it was originally posted online.
This review of The Long Goodbye (1973) was written by Judith Crist and published by New York Magazine (Vulture) on 19 Oct 1997.
The Long Goodbye has generally received very positive reviews.
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