Review of The Limits of Control (2009) by Anthony Lane for The New Yorker — 19 May 2015
As it is, the movie's lethal climax, with its vague protest against corporate control--and hence in favor of art, music, drugs, or whatever--feels like a poor theft from a more conventional film.
You can read the full review where it was originally posted online.
This review of The Limits of Control (2009) was written by Anthony Lane and published by The New Yorker on 19 May 2015.
The Limits of Control has generally received mixed reviews.
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