Review of The Liberator (2013) by Nicolas Rapold for New York Times — 01 Oct 2014
Perhaps most impressive are the resources deployed in shooting this production. As if the film’s ostentatious aerial vistas, merely functional scene-writing and score weren’t distracting enough, Mr.
Sexton’s dialogue freezes dead any simulation of the period with tone-deaf lines amid Bolívar’s impassioned rhetoric.
You can read the full review where it was originally posted online.
This review of The Liberator (2013) was written by Nicolas Rapold and published by New York Times on 01 Oct 2014.
The Liberator has generally received positive reviews.
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