Review of The Last Duel (2021) by Moviemitch96 — 17 Oct 2021

In this medieval drama from director Ridley Scott, set in 14th century France, Matt Damon stars as knight Jean De Carrouges, who challenges his squire Jacques Le Gris (Adam Driver) to a duel to the death after De Carrouges' wife, Lady Marguerite (Jodie Comer) accuses Le Gris of raping her.

The story is uniquely separated into three chapters and is told through the points of view of each of the three aforementioned characters, depicting each of their versions of how the events unfolded. Of course, Ridley Scott is no stranger to making historical epics, what with stellar films like 'Gladiator' and 'Kingdom of Heaven' under his belt.

He always seems to be genuinely fascinated by history or whatever time period he's depicting in each of his films, and this film is certainly no exception. The attention to detail, the set pieces, and costumes all transport us to this gritty and dark ancient time quite effectively.

Each of the three chapters are engaging and intriguing. Scott essentially borrows a page from the 'Me Too' movement and shows what it's like for powerless women to suffer at the hands of powerful men who go on to deny any wrongdoings and sets it in a far more ancient time, wielding fascinating and poignant results.

On top of that, we're graced with harrowing and intense performances from all involved. Damon is fierce and committed, as is Driver who brings a similar level of sinister that we've seen in his villainous turn as Kylo Ren in 'Star Wars' but adds even more depth and layers here.

It was also great seeing Ben Affleck reunite with Damon here at long last, and he too gives a rather playful and humorous performance as Count Pierre d'Alencon. However, the real MVP here is without a doubt Jodie Comer, who commands the screen with an equal amount of rawness, heartbreak, and resilience all at once.

She's incredible here, and more than holds her own against the rest of the Hollywood heavyweight men of the film! At two and a half hours long, and repeating some scenes due to the three different perspectives, the film doesn't necessarily drag, does take its time with building up certain elements and aspects of the film, but manages to remain quite captivating nonetheless.

Overall, it's an epic and worthy addition to Scott's mighty filmography, a bold showcase for all involved in the cast, and a welcome, unique, and thought-provoking look at sexual misconduct and misdeeds through a historical lens for a change.