Review of The Lair (2022) by Jeannette Catsoulis for The New York Times — 28 Oct 2022
Lively, noisy, dark and daft, this gloopy creature feature from the British director Neil Marshall plays like a loose, if vastly inferior callback to his two best films, “Dog Soldiers” (2002) and “The Descent” (2006).
You can read the full review where it was originally posted online.
This review of The Lair (2022) was written by Jeannette Catsoulis and published by The New York Times on 28 Oct 2022.
The Lair has generally received mixed reviews.
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