Review of The Illusionist (2009) by Kalel J — 10 Feb 2011

Chomet's portrait of performance in an evolving world is an honest study of age, relevance, and the learning of the harsh realities this world has to offer. It is oftenly a lonely film, with an almost melancholic nature, as its struggles in an alienating society either push our characters to the side - stripping them of their essence - or sucking them whole - pushing for conformity. 'The Illusionist' is often downtrodden and difficult, but it remains heartfelt and beautiful throughout - a kind of harsh reality that invokes a certain charm and respect.

The magic at the centre of the film lies in the execution of its tone and theme. This is a beautiful film; a love-letter to the classical animation and stories that have inspired it. Based off of a screenplay from Jacques Tati, the persistent bubbly quirkiness balances with the pain in its themes and makes for an atmosphere of maturity. It is easy to mistake the film for adult fare, but there is much more to it. Chomet's handling of themes ingrained with the loss of the magic found in childhood is accessible and fresh. The canvas he paints with widens with emotion and becomes a vivid realisation of loneliness and growth.

Chomet is the star here - his brush strokes are shown throughout. His entrancing score atop his delicate visuals adds to the enticing air on display. It is an enveloping and inviting experience watching this film. It is gentle and pristine, but its delicateness and magic are never taken for granted and never pushed to sway emotion. Chomet has too much respect for audience to paint that into his film.