Review of The Illusionist (2006) by Tonypolito — 17 Nov 2010

Drenched in sepia and sappy romance, this period piece, set in turn-of-the-century Vienna, is carried mostly by the dramatic ability of the lead, a mix of interesting visuals and a haunting score by Phillip Glass.

A stage magician (Norton), who may or may not possess supernatural powers, rediscovers his lost love (Biel), now engaged to an evil prince. From this port of call, the film promptly sets sail on a rather predictable journey to the land of Harlequin.

Norton brings a good bit of dramatic skill to bear and in so doing actually creates much of the viewer's interest. Biel was a last-minute sub for Liv Tyler - and really any actress from such stables could have served in the role just as well.

The film was actually shot in Prague, which certainly deserves credit for a supporting role. There is camera work to appreciate throughout.

Glass has a uncanny gift for creating an aura of drama and egalitarian righteousness in his scores, "The Thin Blue Line" and "The Fog of War" being but two excellent exemplars. Glass's talent here subtly adds a great deal to the film's experience, though it is really more the case of casting pearls before swine.

Mix all those ingredients in with some trivial twists and turns in the plot details and the viewer has a film that will entertain at least during the first viewing and only for the time it is on the screen.

RECOMMENDATION: Two hours of ogling Jessica Biel plus a couple of cheesy magic tricks -- so OK I'm in. But one ping - one ping only, please - is all that this film requires.