Review of The House of Mirth (2000) by Kenr — 17 Sep 2019

Only a Writer the calibre of Edith Wharton (The Old Maid) who also lived through the era could so magnificently bring to life such a challenging story. Wharton, being the first woman to be awarded the converted Pulitzer prize is not to be taken lightly when being considered for adaption to the screen, Director Terence Davies adapts her novel with much respect, and while it can be at times difficult to navigate the original’s ebb and flow – with its many complex relationships, it always remains compelling.

Those conversant with the novel will have the advantage of being familiar with characters names and relationships. This is a time when a woman living within upper society circles was tasked with the prime challenge of finding a rich man to marry.

Our lead character, Lily Bart lives with her wealthy Aunt – this places her in the enviable position of meeting such men through numerous sumptuous dinner functions. Unfortunately Lily is a little spoiled for choice and not very bright when it comes to carefully assess both the money and men markets.

We follow her as she navigates the fine line between knowing her heart and following her (perceived) financial requirements – both decisions needing astute wisdom but, does she have this ability? Many misunderstandings, and ‘friends’ betrayals, lead her on a tenuous, interwoven path, intended to secure her essential but ever-elusive personal happiness.

Director of Photography Remi Adefarasin (Amazing Grace ‘05) creates truly lush images, capturing the gorgeous settings, costumes and women, with dazzling style (perhaps too much?). He deservedly went on to become the first English born black person to be nominated for an Academy Award.

British director Davies and his cameraman bring a BBC look and feel to this international production but it retains the novelist’s perfect Americana to embed it in its true N.Y. homeland. A tragic journey, with a well-balanced sense of the sexuality of the day – never ending up in the sensationalised land of some other American films set within this timeframe - especially some TV varieties.

Performances are first class with Gillian Armstrong absolutely superb! Classic quality, shot in UK, set in USA, and well worth a second look for discerning viewers.