Review of The Greatest Showman (2017) by Emily Yoshida for New York Magazine (Vulture) — 20 Dec 2017
Musicals are inherently fake — they can be ecstatically, transcendentally fake — but this is a whole other level of disingenuousness.
You can read the full review where it was originally posted online.
This review of The Greatest Showman (2017) was written by Emily Yoshida and published by New York Magazine (Vulture) on 20 Dec 2017.
The Greatest Showman has generally received positive reviews.
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