Review of The Goldfinch (2019) by Richard Lawson for Vanity Fair — 08 Sep 2019
I wish all of Tartt’s tender and moving allegory—the way she pours the density of growth and regret into a solid thing that can pass hands—had space to bloom in the film. It doesn’t, and I left the film appreciative of its style and strong performances, but not emotionally altered in any lingering way.
You can read the full review where it was originally posted online.
This review of The Goldfinch (2019) was written by Richard Lawson and published by Vanity Fair on 08 Sep 2019.
The Goldfinch has generally received positive reviews.
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