Review of The Goldfinch (2019) by Simran Hans for The Observer (UK) — 03 Oct 2019
Probably, the intention was to make explicit the connections between Theo’s past and present, but there’s not enough detail or characterisation for this structural intervention to work. Without those connecting narrative bones, the result is all flab and no flavour.
You can read the full review where it was originally posted online.
This review of The Goldfinch (2019) was written by Simran Hans and published by The Observer (UK) on 03 Oct 2019.
The Goldfinch has generally received positive reviews.
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