Review of The Gauntlet (1977) by Pauline Kael for The New Yorker — 05 Sep 1991
It's telling that the film is still only truly memorable for the closing five minute bulletfest, which turns Clint's bus into the only thing with more holes in it than the screenplay.
You can read the full review where it was originally posted online.
This review of The Gauntlet (1977) was written by Pauline Kael and published by The New Yorker on 05 Sep 1991.
The Gauntlet has generally received positive reviews.
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