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Last updated: 09 Jun 2026 at 17:53 UTC

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Review of by Roger Ebert for Chicago Sun-Times — 02 Sep 1994

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Rarely do movies affect us so deeply. The first time I saw Cries and Whispers, I found myself shrinking down in my seat, somehow trying to escape from the implications of Bergman’s story. The Exorcist also has that effect--but we’re not escaping from Friedkin’s implications, we’re shrinking back from the direct emotional experience he’s attacking us with.

This movie doesn’t rest on the screen; it’s a frontal assault.

You can read the full review where it was originally posted online.

This review of The Exorcist (1973) was written by and published by Chicago Sun-Times on 02 Sep 1994.

The Exorcist has generally received very positive reviews.

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