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Last updated: 22 Jun 2026 at 01:15 UTC

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Review of by David Edelstein for New York Magazine (Vulture) — 11 Jun 2019

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It’s painful to report that Jarmusch’s deadpan is in the rigor mortis stage in The Dead Don’t Die. His own creative ferment isn’t happening this time — the acid cynicism has killed the yeast — and the actors seem unsure whether to commit to the material when their director plainly hasn’t.

You can read the full review where it was originally posted online.

This review of The Dead Don't Die (2019) was written by and published by New York Magazine (Vulture) on 11 Jun 2019.

The Dead Don't Die has generally received mixed reviews.

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