Review of The Dead Don't Die (2019) by Anthony Lane for The New Yorker — 16 Jun 2019
The killings pile up, yet Jarmusch, the master of mellowdrama, would rather die than be accused of overkill. His heart isn’t really in the blood and guts. The line between the laid-back and the listless, in The Dead Don’t Die, may be too fine even for him, and most of the running gags don’t run at all, merely loping around in a circle.
You can read the full review where it was originally posted online.
This review of The Dead Don't Die (2019) was written by Anthony Lane and published by The New Yorker on 16 Jun 2019.
The Dead Don't Die has generally received mixed reviews.
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