Review of The Cruise (1998) by Toren A — 07 Jun 2007

Timothy "Speed" Levitch is an interesting person in an interesting town. We follow this eloquent, thoughtful, and passionate guide for Gray Line tours in New York, catching him at his best and worst moments. This is the kind of movie you can sit down and lose yourself in, despite any conventional elements of plot, action or romance. The plot is Levitch's meanderings through the city. The action is his refusal to wear Gray Line's red blazers and his struggle with an alarmed emergency exit. The romance is his love of NY, exhibitionism with tourists, and eroticism he finds in terra cotta building facades.

The Cruise is a glimpse into the life and mind of a rather extraordinary citizen of the times, as he fights what he calls "anti-cruise". Anti-cruise can be described, in a very limited sense, as convention, conformity, and oppression of different levels, and Levitch's fight is at once provocative, amusing, and always insightful. His fight is neither rancorous nor glorious--it is not the Braveheart fight-to-the-death crusade, but rather it is the day-to-day struggle against his career, aspirations and memories, and this makes it all the more identifiable and inspiring. Levitch has the uncanny ability to crystallize ideas which remain unspoken or indeed semi-formed in the conscience-at-large, and furthermore to plant the seeds of still greater ideas.

This movie may not be at the top of your "to see" list, but it should be.