Review of The Cincinnati Kid (1965) by Antonius B — 09 Dec 2016

Steve McQueen is the young upstart poker player, Edward G. Robinson an old master, Karl Malden is their friend and dealer, Ann Margret his flirtatious girlfriend, and Tuesday Weld is McQueen's. It's a fantastic cast - McQueen oozes cool, it's special to see Robinson at age 72 deliver a very good performance, Malden plays 'conflicted' well when he's pressured to fix the match, Margret is sexy and has a way of speaking with her eyes, and Weld is incredibly cute but also nuanced. To top it off, Joan Blondell is the backup dealer, and while her role and performance aren't amazing, it's very nice to see her and Robinson together again nearly three decades after 1936's 'Bullets or Ballots'.

New Orleans is a fantastic setting and director Norman Jewison makes good use of it. I have to say, I was not all that jazzed about the scene with the cock fight, which is cruel. And, he's less effective in making the movie feel as though it's in the 1930's, but maybe that doesn't matter. The poker talk at the tables is pretty authentic, but I always find it amusing that the 5-card stud hands shown routinely in movies are extremely rare. The ending comes as a jolt and seems abrupt, but perhaps that's because I was thinking how interesting it would have been if it was revealed that Robinson was engaged in a nefarious fix with Blondell. As it is, the movie is about integrity and dignity, even in what may seem to be an unlikely place, amongst gamblers. Cheating, and accusations of cheating, are shown more than once to be signs of weakness, whereas real skill is cool and confident, and there is mutual respect between McQueen and Robinson's characters. How interesting that McQueen falters on the relationship side by being seduced by Margret, though even then he doesn't deny it or make excuses. It may be a little clichéd and it may have borrowed its theme from 'The Hustler', but it's an engaging, interesting film.