Review of The Captive (2014) by Jeannette Catsoulis for New York Times — 11 Dec 2014
The Captive seems tailor-made to explore the psychological damage that a child can suffer over a lengthy confinement, but instead leans too heavily on the chilly desolation of Paul Sarossy’s cinematography.
What’s going on in the victim’s mind, or anyone else’s, is as invisible as what lies beneath the snow.
You can read the full review where it was originally posted online.
This review of The Captive (2014) was written by Jeannette Catsoulis and published by New York Times on 11 Dec 2014.
The Captive has generally received mixed reviews.
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