Review of The Burnt Orange Heresy (2020) by Anthony Lane for The New Yorker — 02 Mar 2020
Everything’s in place, and there’s not a weak link in the cast, with Debicki — lofty, playful, and unreadable — in especially beguiling form. The idea that art, like love, is something that you can make or fake, and that surprisingly few people can tell the difference, will always be ripe for exploration.
And yet the movie stumbles.
You can read the full review where it was originally posted online.
This review of The Burnt Orange Heresy (2020) was written by Anthony Lane and published by The New Yorker on 02 Mar 2020.
The Burnt Orange Heresy has generally received mixed reviews.
Was this review helpful?
Yes
No
