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Last updated: 23 Jun 2026 at 05:07 UTC

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Review of by David Denby for The New Yorker — 29 Mar 2010

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The Box turns into a kind of sacrilegious Christian fable; it’s haunted by God, but it delivers a vicious doctrine. At the risk of impoliteness, I would suggest that Kelly drop his reliance on religio-mystico-eschatological humbug and embrace, in realistic terms, the fantastic possibilities in ordinary acts of murder, fear, heroism, and death.

If he pulls himself together, he could be the next Hitchcock.

You can read the full review where it was originally posted online.

This review of The Box (2009) was written by and published by The New Yorker on 29 Mar 2010.

The Box has generally received mixed reviews.

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