Review of The Beguiled (2017) by Ryan Gilbey for New Statesman — 13 Jul 2017
Sofia Coppola can't help but bring one refreshing element: a female eye. The camera in her version of The Beguiled expresses and inhabits the women's isolation... while her delicate touch as a director keeps the mood frisky even at its most fraught.
You can read the full review where it was originally posted online.
This review of The Beguiled (2017) was written by Ryan Gilbey and published by New Statesman on 13 Jul 2017.
The Beguiled has generally received positive reviews.
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