The Beguiled (2017) - Critic Reviews - Page 2 of 15

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Review of The Beguiled (2017)

By Raquel Stecher (32) for Cine Suffragette (1) on 26 Aug 2018

With so many stories in our collective cannon focusing on the male gaze, Sofia Coppola adeptly gives the gaze to the women…

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Review of The Beguiled (2017)

By Lisa Johnson Mandell (104) for AtHomeInHollywood.com (165) on 20 Aug 2018

It's an unusual and original take on the damages afflicted on all during the Civil War,…

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Review of The Beguiled (2017)

By Ruben Peralta Rigaud (117) for Cocalecas (95) on 02 Mar 2018

This fairytale for adults is also a story of ruin. [Full review in Spanish]…

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Review of The Beguiled (2017)

By Steve Erickson (207) for Nashville Scene (147) on 12 Feb 2018

If Coppola puts a feminist spin on the narrative, emphasizing the difficulty of expressing female desire without endangerment, she's not far…

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Review of The Beguiled (2017)

By Uri Klein (124) for Haaretz (130) on 21 Dec 2017

The characters are not as carefully shaped as they were in Siegel's version of the story, and the structure is uneven and badly paced…

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Review of The Beguiled (2017)

By Lawrence Garcia (34) for MUBI (191) on 19 Dec 2017

He meaning is clear; but because The Beguiled is also so frustratingly limited (though accomplished in many respects), its implications resonate…

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Review of The Beguiled (2017)

By Jason Guerrasio (61) for Business Insider (73) on 18 Dec 2017

Coppola uses a slow-burn approach to build a thrilling chamber piece…

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Review of The Beguiled (2017)

By Robert Kojder (605) for Flickering Myth (680) on 05 Dec 2017

Even as it mixes genres ranging from drama/comedy/pulp thriller, Sofia Coppola never loses sight of the poignancy of her socially relevant…

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Review of The Beguiled (2017)

By Alexandra Macaaron (124) for Women's Voices for Change (124) on 01 Dec 2017

An interesting choice for Coppola. Her sixth feature film is a feminist take on some fairly sexist and exploitative material…

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Review of The Beguiled (2017)

By Danielle Solzman (397) for Solzy at the Movies (339) on 25 Nov 2017

The Beguiled may be a remake of the 1971 movie of the same name but the acting performances are so strong in this psychological thriller that…

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Review of The Beguiled (2017)

By Jason Best (961) for Movie Talk (957) on 21 Nov 2017

Throughout, Coppola keeps the film's pressure-cooker tensions on the boil, introducing elements of suspense, sensuality and sometimes near-camp…

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Review of The Beguiled (2017)

By Courtney Howard (393) for SassyMamaInLA (49) on 20 Nov 2017

This remake is a searing period piece, a Southern gothic drama that seeks to castrate destructive, toxic male energy, and the water comes to…

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Review of The Beguiled (2017)

By Andrea G. Bermejo (61) for Cinemanía (Spain) (558) on 13 Nov 2017

Precious and pastel... [Full review in Spanish]…

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Review of The Beguiled (2017)

By Cassie Da Costa (26) for 4Columns (32) on 10 Nov 2017

Coppola has managed to build narratives of female privacy…

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Review of The Beguiled (2017)

By Javier Porta Fouz (51) for La Nación (Argentina) (226) on 31 Oct 2017

Coppola makes the film mellifluous, insipid and languid, which annihilates the idea of narrative progression for the sake of atmosphere…

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Review of The Beguiled (2017)

By Nazareno Brega (26) for Clarín (492) on 26 Oct 2017

In this dark fairy tale about female empowerment and repression of desires, the Ferocious Wolf should think twice about getting involved with…

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Review of The Beguiled (2017)

By Benjamín Harguindey (98) for EscribiendoCine (248) on 23 Oct 2017

The Beguiled seems built with the meticulousness and wisdom of a good short story. [Full Review in Spanish]…

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Review of The Beguiled (2017)

By Carlos Díaz Reyes (181) for Vanguardia (Mexico) (181) on 15 Oct 2017

The natural light, the long silences and the leisurely pace pretend to be atmospheric, but they end up making the story a bit heavy…

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Review of The Beguiled (2017)

By Nick Pinkerton (448) for Reverse Shot (113) on 11 Oct 2017

It isn't a suspense movie, it isn't a dissection of race relations in the Civil War South, it isn't a bask in the dying light of the agrarian…

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Review of The Beguiled (2017)

By Raphael Abraham (46) for Financial Times (1,822) on 10 Oct 2017

Coppola has inverted the old order of sexploitation and Farrell has been reduced to a sex object. He just looks like a very happy one…

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