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Last updated: 12 Jun 2026 at 04:49 UTC

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Review of by Richard Brody for New Yorker — 25 Jun 2017

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The story may sometimes come off as a ribald soldiers’ tale that Siegel, born in 1912, had been awaiting a sexual revolution to tell; still, his intense, intelligent breakdown of the film’s wild outbursts reveals subtleties of love, despair, and shame beneath the schematic luridness.

You can read the full review where it was originally posted online.

This review of The Beguiled (1971) was written by and published by New Yorker on 25 Jun 2017.

The Beguiled has generally received positive reviews.

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