Review of The Band Wagon (1953) by Kathleen D — 16 May 2009

Just damn entertaining. If nothing else, this is proof that the 1950's was the best era for cinematography in all of American cinema. I love the way Fred Astaire uses his body, even when he's not dancing.

Part of his genius was his ability to utilize his loose bones, his grace and his inherant goofiness. Sure, most of these musicals share a common formula, but the chemistry between Astaire and Charisse is at least real and tangible.

I also think it's interesting that the group's intended play is not necessarily better than the "modern-day Faust" that was mounted originally. In fact, towards the end, it proves to be really disjointed and odd.

I think this is why the film loses some steam in critical areas.