Review of Tess (1979) by Pauline Kael for New Yorker — 02 Jan 2018
[Polanski's film] is textured and smooth and even, with lateral compositions subtly flowing into each other; the sequences are beautifully structured, and the craftsmanship is hypnotic. But the picture is tame.
You can read the full review where it was originally posted online.
This review of Tess (1979) was written by Pauline Kael and published by New Yorker on 02 Jan 2018.
Tess has generally received positive reviews.
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