Review of Taste (2022) by Wesley Morris for The New York Times — 17 Feb 2022
There’s something here. It’s just undercooked. The cinematic philosophy around these minimalist hallucinations comes down to whether the images ought to amount to anything, as they always do with Weerasethakul and almost always with Reygadas.
You can read the full review where it was originally posted online.
This review of Taste (2022) was written by Wesley Morris and published by The New York Times on 17 Feb 2022.
Taste has generally received mixed reviews.
Was this review helpful?
Yes
No
