Review of Taste (2022) by Jessica Kiang for Variety — 17 Feb 2022
Lê Bảo’s rich film reaches further back too, beyond the politics of globalization and migration, beyond even culture, into a pre-ethnographic past, to see us as trapped animals, paradoxically dehumanized by the sunless concrete ugliness of human civilization.
You can read the full review where it was originally posted online.
This review of Taste (2022) was written by Jessica Kiang and published by Variety on 17 Feb 2022.
Taste has generally received mixed reviews.
Was this review helpful?
Yes
No
