TÁR (2022) - Critic Reviews - Page 3 of 3

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Review of TÁR (2022)

By Keith Uhlich (870) for Slant Magazine (8,298) on 22 Sep 2022

The film is consistently compelling visually and aurally, but neither Todd Field nor Cate Blanchett seem quite decided on whether Tár’s…

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Review of TÁR (2022)

By Leah Greenblatt (734) for Entertainment Weekly (6,953) on 07 Sep 2022

The movie belongs to Blanchett, in a turn so exacting and enormous that it feels less like a performance than a full-body possession…

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Review of TÁR (2022)

By Justin Chang (1,535) for Los Angeles Times (12,977) on 04 Sep 2022

Because each moment serves at least two purposes — Tár is both a superb character study and a highly persuasive piece of world building…

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Review of TÁR (2022)

By Stephanie Zacharek (2,333) for Time (1,811) on 03 Sep 2022

Tár, Field’s first film in 16 years, is extraordinary…

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Review of TÁR (2022)

By Bilge Ebiri (1,050) for New York Magazine (Vulture) (3,519) on 03 Sep 2022

We know where Tár is headed from pretty much its opening scenes, but that doesn’t mean that the film shouldn’t still surprise and shock…

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Review of TÁR (2022)

By Richard Lawson (539) for Vanity Fair (761) on 01 Sep 2022

TÁR is breathtaking entertainment, beautifully tailored in luxe, eerie Euro sleekness by production designer Marco Bittner Rosser and cinematographer…

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Review of TÁR (2022)

By David Rooney (943) for The Hollywood Reporter (7,050) on 01 Sep 2022

Tár marks yet another career peak for Blanchett — many are likely to argue her greatest — and a fervent reason to hope it’s not 16 more…

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Review of TÁR (2022)

By Robbie Collin (1,612) for The Telegraph (1,120) on 01 Sep 2022

The film wields its intelligence and style with total effortlessness, and its every move holds your gaze like a baton’s quivering tip…

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Review of TÁR (2022)

By Owen Gleiberman (3,271) for Variety (12,700) on 01 Sep 2022

The movie is breathtaking — in its drama, its high-crafted innovation, its vision…

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Review of TÁR (2022)

By David Ehrlich (1,229) for IndieWire (3,631) on 01 Sep 2022

TÁR is a provocation full of slow-motion suckerpunches and the driest of laughs (even its accented title is a knowingly pretentious in-joke)…

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Review of TÁR (2022)

By Brian Formo (125) for Collider (1,032) on 01 Sep 2022

The remarkable details in how information is revealed entirely through a central performance is the reason TÁR excites…

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Review of TÁR (2022)

By Ben Croll (93) for TheWrap (3,203) on 01 Sep 2022

Well, it sounds a bit obvious to praise another Cate Blanchett performance – when is she not on fire…

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Review of TÁR (2022)

By Rory O'connor (154) for The Film Stage (3,162) on 01 Sep 2022

TÁR is an effort of tremendous skill and restraint, beginning with a confidence bordering on arrogance and building to a brilliant crescendo—only…

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Review of TÁR (2022)

By Jane Crowther (96) for Total Film (3,532) on 01 Sep 2022

Recalling the likes of All About Eve and Amadeus, TÁR asks pertinent questions about cancel culture, artistic integrity and gender, while…

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Review of TÁR (2022)

By Tim Grierson (1,482) for Screen Daily (1,021) on 01 Sep 2022

TÁR’s engrossing spell starts to dissipate over its final third, and yet this is that rare film about a creative person that feels neither…

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Review of TÁR (2022)

By Peter Bradshaw (3,667) for The Guardian (2,969) on 01 Sep 2022

No one but Blanchett could have delivered the imperious hauteur necessary for portraying a great musician heading for a crackup or a creative…

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Review of TÁR (2022)

By Jack King (15) for The Playlist (3,871) on 01 Sep 2022

Though not without its blemishes, here’s a timely — and, indeed, timeless — piece about the corrupting essence of power, exploitation,…

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Review of TÁR (2022)

By Marshall Shaffer (93) for Slashfilm (971) on 01 Sep 2022

While occasionally frustrating to watch the film spin its wheels into repetitive or monotonous territory, the magnetic pull of simply watching…

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TÁR (2022) Movie Reviews (115)
TÁR (2022) User Reviews (57)

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