Review of Still of the Night (1982) by Pauline Kael for The New Yorker — 02 Sep 2016
Although Benton's plentiful homages to Alfred Hitchcock are well handled, the major problem with this talky picture is that there's plenty of suspense but not enough mystery.
You can read the full review where it was originally posted online.
This review of Still of the Night (1982) was written by Pauline Kael and published by The New Yorker on 02 Sep 2016.
Still of the Night has generally received mixed reviews.
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