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Last updated: 22 Jun 2026 at 06:49 UTC

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Review of by Samichsupernova — 14 May 2013

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This film was all over the place, and not in a good way. There's not a single interesting moral or philosophical idea or crisis to be found in its entire plodding run time. It felt like four stretched-out episodes of an artless TV series with the budget of BSG, until screenwriters Lindelof, Kurtzman, and Orci ran out of ideas and decided to spend half the movie remaking (one of) the most beloved of Trek films without having earned any of its heart or soul.

Spock x Uhura falls flat this time around; their romance could have been so much more interesting than the bickering taking place onscreen. Pegg's Scotty is great, but Urban's Bones, Cho's Sulu, and Yelchin's Chekhov (all fantastically cast in the first outing) don't have enough to do. For all the Sherlock fangirls out there, Cumberbatch's talents are sadly wasted. We never get enough of his motivations, but then when his exposition dump rolls around, anyone who's seen the Trek film this material was based upon can guess how the rest of the film will play out. It's a far cry from the original, much better portrayal of this character, and the blame rests solely on the shoulders of the film's lazy screenwriters. If the movie gets one thing right it's the bromance between Kirk and Spock Pine and Quinto try their very best. But not even the best performers can polish subpar material. J.J. and his partners in crime clearly don't care enough about this universe (or didn't have the time) to fix numerous plot holes, (i.e. why would all of the top brass need to meet in person with holographic technology? Oh, because it's a plot convenience that allows us to cram more events into a film that has no room to breathe).

The 2009 film (which I also disliked) is better in almost every way. Perhaps most telling is that even Michael Giacchino's score this time around sounds rushed. I have never once before taken a disliking to one of Maestro Giacchino's tracks, but this is not his best stuff here.

Also, the action scenes and even the CGI are not as well filmed as those in the 2009 film.

Sadly, there's no sense of the humanitarian/colonial themes of the original Trek series anywhere. As a character puts it, since the events of the first film Starfleet has become more of a military force, which means stocking the Enterprise with mysterious warheads.

Dear fellow filmmakers, why were you denying the rumors regarding you-know-who? As it turns out, you just knew that once the cat was out of the bag, we'd all see the Emperor's new clothes for what they were. Guess what, screenwriters? You're officially writing AU slash fanfic.

To be perfectly honest, I love Star Trek (my fave is TNG) but Star Wars is closer to my heart. To me it's infuriating to think that these schmucks are going to be in charge of Star Wars now (officially, Michael Arndt's writing the script to that one based on a story by George Lucas, but Abrams will almost certainly have Lindelof advising him.).

PS: Mr. Abrams, I know there is good in you. Get back in gear.

This review of Star Trek Into Darkness (2013) was written by on 14 May 2013.

Star Trek Into Darkness has generally received very positive reviews.

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