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Last updated: 06 Jun 2026 at 01:02 UTC

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Review of by Amy Nicholson for The New York Times — 18 Aug 2022

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Although Plaza’s character makes it clear this is a story about complicity and manipulation, Baena keeps the tone silly, barely striving for scares even when creepy masks slink into view. He’s content to let the music take over — and so are we with its sly needle-drops that pull from heady italo disco and giallo horror scores.

You can read the full review where it was originally posted online.

This review of Spin Me Round (2022) was written by and published by The New York Times on 18 Aug 2022.

Spin Me Round has generally received mixed reviews.

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