Review of Solaris (2002) by John A — 21 Jul 2008

Despite its glossy science-fiction wrapper, 'Solaris', a remake of the 1972 Russian film of the same name, is more a psychological character study; those expecting alien-busting action or adrenaline-inducing thrills and chills should definitely steer clear, because such conventions would be more than out of place in Steven Soderbergh's heavy drama.

George Clooney plays psychologist Chris Kelvin, who is called to a remote space station orbiting the titular planet where crew members have reported strange happenings and occurrences, which has led to multiple deaths and disappearances. As the opening ten minutes, this is a sophisticated, well-established idea, and I was effectively thrust into an intriguing story.

'Solaris' most glaring problem is that it is in hardly any way mainstream; to get something out of the picture you have to give 100% patience, devotion and time to absorbing every last detail or moment, every inch of dialogue. Chris begins to experience his own hallucinations on board, or so we think, but Soderbergh cleverly evolves the philosophical ideas until you have to separate reality and illusion for yourself.

'Solaris' poses daring and ambiguous questions, invoking intelligent ideas that leave you wondering for a long while. However, the tense atmosphere, while always intriguing, is never captivating or mesmerising. Despite the drama of an exemplary nature the execution struggles to sustain itself through the ninety minute running time, I liked it, but it's a film that holds the ability to frustrate some audience members, not least those looking for answers. Hardly anything is implied, so it is an open book really. Your best option is to prepare to be patient, don't search for overt answers and use your imagination - that way ensures you hold the potential to be mesmerised.