Snatch (2000) - Movie Reviews - Page 35 of 38

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Review of Snatch (2000)

By Mark Caro (265) for Chicago Tribune (6,211) on 14 Mar 2007

Even if it's not quite as lighter than air as its predecessor, Snatch remains a lethal diversion…

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Review of Snatch (2000)

By Blakej. (26) on 11 Mar 2007

One of the many college boy films…

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Review of Snatch (2000)

By Tyr. (1) on 14 Dec 2006

Great movie, suspenseful, fast-paced, and hilarious. One of my favorites…

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Review of Snatch (2000)

By Marks. (44) on 04 Jul 2006

Brad Pitt really seems to be relishing his role in this and it shows through. Love the writing and great reactions to the action by the characters…

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Review of Snatch (2000)

By David Sterritt (1,643) for Christian Science Monitor (3,788) on 20 May 2006

If the film is too similar to Ritchie's first movie, Lock, Stock and Two Smoking Barrels with its multiple story lines, complex plotting, and…

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Review of Snatch (2000)

By Wally Hammond (134) for Time Out (7,510) on 09 Feb 2006

Ritchie's follow-up to Lock, Stock is an even more craftily concocted underworld entertainment, helped no end by the casting of Pitt as the…

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Review of Snatch (2000)

By Peter Travers (3,602) for Rolling Stone (4,035) on 02 Jan 2006

Ritchie's got something all his own: a go-for-broke energy that cuts through the cliches of the crime genre…

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Review of Snatch (2000)

By Michael Dequina (1,684) for Film Threat (5,156) on 06 Dec 2005

While Ritchie essentially covers the same ground he did in that last film, here he does it with more confidence and panache…

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Review of Snatch (2000)

By Joe Morgenstern (2,395) for Wall Street Journal (3,071) on 14 Nov 2005

Mr. Ritchie seems to be stepping backward when he should be moving ahead…

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Review of Snatch (2000)

By Amy Taubin (175) for Village Voice (8,525) on 05 Oct 2005

For those who care, Madonna has found her match in Guy Ritchie, whose absence of talent when it comes to the film medium is equal to her own…

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Review of Snatch (2000)

By Roger Ebert (5,190) for Chicago Sun-Times (7,580) on 30 Jul 2005

Follows the Lock, Stock formula so slavishly it could be like a new arrangement of the same song…

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Review of Snatch (2000)

By Mick Lasalle (3,303) for San Francisco Chronicle (7,630) on 02 May 2005

There's talent here, but for directing, not writing. If Ritchie wants to last, he's going to have to allow somebody else to write his screenplays…

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Review of Snatch (2000)

By Rene Rodriguez (1,781) for Miami Herald (3,319) on 05 Jun 2004

Snatch is admittedly superficial, if not downright disposable. More importantly, though, the movie is also fantastic, cheeky fun…

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Review of Snatch (2000)

By Eugene Novikov (936) for Film Blather (908) on 21 May 2003

There's just not a lot of fun to be had here…

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Review of Snatch (2000)

By John R. Mcewen (303) for Film Quips Online (303) on 08 Feb 2003

Snatch, while somewhat hard to follow, represents a fascinating study in character interaction and complex plot development…

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Review of Snatch (2000)

By Xan Brooks (287) for Sight and Sound (827) on 02 Dec 2002

What we have here is a gaudy mess. At times it feels like it's being made up as it goes along…

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Review of Snatch (2000)

By Peter Rainer (2,575) for New York Magazine/Vulture (3,519) on 25 Sep 2002

The problem with all this don't-blink-or-you'll-miss-it dramaturgy is that ultimately everything is sacrificed for effect…

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Review of Snatch (2000)

By Jon Niccum (520) for Lawrence Journal-World (273) on 06 Sep 2002

Ritchie's command of the visual medium is so skillful, his criminals so memorable and his writing so undeniably entertaining, that it's a wasted…

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Review of Snatch (2000)

By Brent Simon (1,142) for Entertainment Today (201) on 03 Sep 2002

A twisty, fun and high energy, if not particularly groundbreaking... de facto sequel to Lock, Stock and Two Smoking Barrels…

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Review of Snatch (2000)

By James Sanford (927) for Kalamazoo Gazette (860) on 09 Jun 2002

Most of the people we meet have names like Boris the Blade, Gorgeous George or Doug the Head; as you might suspect, none of them are likely…

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