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Last updated: 14 Jun 2026 at 09:55 UTC

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Review of by Peter Rainer for New York Magazine/Vulture — 25 Sep 2002

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The problem with all this don't-blink-or-you'll-miss-it dramaturgy is that ultimately everything is sacrificed for effect. When you're dealing, as Ritchie is, with explosions of real violence and viciousness, the hyperslick technique can't accommodate the real pain that comes with the territory, or ought to.

What we're left with is a cackling amorality -- not a philosophy of life, just a posture.

You can read the full review where it was originally posted online.

This review of Snatch (2000) was written by and published by New York Magazine/Vulture on 25 Sep 2002.

Snatch has generally received very positive reviews.

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