Review of Six Days Seven Nights (1998) by Sarah Kerr for The New Yorker — 10 Oct 2000
Aside from Heche, who is a quick, witty actress, the film seems to reside in a bizarre time warp of bad seventies comedy, complete with retrograde ethnic stereotypes and huge, jiggling breasts.
You can read the full review where it was originally posted online.
This review of Six Days Seven Nights (1998) was written by Sarah Kerr and published by The New Yorker on 10 Oct 2000.
Six Days Seven Nights has generally received mixed reviews.
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