Review of Sisters (2015) by Pipec — 29 Jan 2016

Tina Fey and Amy Poehler "the female duo most fun on the world" return in a sisters comedy, dissolving their attitudes to perfection in their different characters.

Recently, in the cinematographic world, much is had speculated and decreed against the few opportunities in this big world of cinema for women in terms of roles, directors, producers and other jobs in the production of a film. The averages are alarming: 30,9% characters with lines of dialogue are women.19,7% are screenwriters, 22,7% producers and 6,8% are directors. The reality is disturbing inequality of the feminine gender in this topic. Slowly, This fades with celebrities as striking as Melissa McCarthy ('Spy' - 'Ghostbusters (2016) '), Amy Schumer that breaks the stereotypes in any film or the same Tina Fey and Amy Phoeler ('Sisters') this project written by a woman. The impact of this discrimination is imminent, programming ideas with women everywhere, something similar with what you want to achieve with the race of color after problems with the Academy Awards (#OscarSoWhite).

This work ('Sisters') demonstrates the domain and extreme capacity that may have a woman in the world of the cinema comedy or any other genre.

These two women come into their comfort zone to give us a story written by Paula Pell ('SNL'), centered at a crazy party carried out by last time in their childhood home. Despite the poor and immature script, Amy and Tina manage to offer the best of them through a childish material. "Sisters" possesses a very striking face for marketing, stimulating to give a chance, said marketing worked relatively outstanding, reflected at the box office against its strong imposing (18, December, 2015),.

"Sisters" premiere without fear of his powerful enemy "Star Wars: The Force Awakens" providing a good alternative to (strange beings) who don't like lightsaber battles or the trio of Chipmunks doing mischief "Alvin and the Chipmunks: The Road Chip".

The characters which turns the story is Kate (Tina Fey) a girl disorganized, insurgent, unable to keep a job and totally promiscuous, while Maura (Amy Poehler) is a nurse, divorced, wanting to live a crazy night and with a personality that is radically different from that of her sister.

Parents of them, (Dianne Wiest and James Brolin) strangely, do not form essential part of the project, instead of this, they spend has be secondary characters due to the low integration within the film.

Without a doubt, the film takes shape as soon as start "Ellis Island", a development lasting mostly throughout the film, an interesting preamble for an interesting progress. With some reminiscences of the Judd Apatow's comedies (Trainwreck) but better quality, Fey throws her best powers during the two long hours, much more than in her entire career, while Amy in the same way that gives its most eccentric touch to this story full of humour.

The cast is completely fun and exciting, as a surprising John Cena already had seen in "Daddy's Home", Rachel Dratch, Bobby Moynihan, Kate McKinnon and others. Personally, I emphasize the interpretation of my friend John Leguizamo, seeing that a Latino - American has a chance at the American Film Company, and what better way that making his "Ellis Sandwich" with so famous, beautiful and talented Phoeler and Fey.

All the comedy is so fun and caricature, which even more beyond the scenes loaded with oral elements (phrases and others) the face film is a simple and inexpressive funny scene from a complication of pronunciation that it not only shakes the audience, but up to the own cast.

The introductory parts are well known, guests of the past, find people that environmental party, buy the necessary elements for the meeting, and a funny scene at the clothing store that burst of laughter even to the more serious (This scene, a key point of its classification R).

As seen in the film's behind of scenes, the fun and excitement that the actors and actresses felt tremendously reflection on the product that the public saw. The stars duo performed one of their best work to date on the big screen but overcoming never done on small screen.